He urged his clients to use the downtime to focus on important materials every dancer needs. And now that dance is open again, auditions and submissions look very different. Are you ready to book in 2023?
We’ve recently been ‘chatting via email’ with a mom of a new member who’s finishing up her senior year of college.
We’ve seen young kids on popular shows like Dance Moms and So You Think You Can Dance: The Next Generation.
Watch Dan as he shares his vision for this award-winning and amazing documentary film.
In fact, for his December 1 class, a portion of the fees were donated to Dancers Responding to AIDS; the dance community’s first ongoing effort to support those living with HIV/AIDS; the dance community’s first ongoing effort to support those living with HIV/AIDS.
And we’ll learn about the importance of the Choreographers Guild and what it means to the future of the industry.
Our highly anticipated IG Live session with celebrity choreographer, Vincent Paterson was a huge success!
This update is from September 17, 2022:
Here’s Oren’s announcement in his own words:
It all started in 2017 when I was a dancer in the inaugural cast at Mall Of Qatar in Doha, Qatar. The Mall of Qatar is an entertainment destination that premiered the world’s first resident troupe.
We received great advice from Jim Keith, partner and president, The Movement Talent Agency (MTA) and Brandon Sierra, Director of LA Talent / Agent, McDonald Selznick Associates (MSA). They share even more audition tips to help guide you:
With the help of A4D founder and award-winning choreographer Grover Dale, we’ll explore more details on creating a self tape that will capture the attention of casting directors and choreographers.
On the A4D Audition Calendar, you’ll discover nearly every audition begins with an online video submission. Each has a different set of rules; you have to learn the choreography that’s posted in a drop box or on YouTube, film yourself, and then submit your video before the stated deadline.
I decided there was no time like the present, so took a chance I could get tickets for the 8pm Saturday performance. For the first time since the industry shutdown, I boarded a bus and trekked into Times Square hoping to buy tickets to see Tina.
When A4D’s NaTonia Monét heard about the new policy, she tweeted out a reminder that this could cause a danger to an already fragile industry, her message went viral and the story was picked up by Spectrum News NY1 TV.
In the spring of 2020, Tonya was diagnosed with invasive lobular carcinoma, an uncommon type of breast cancer. As the pandemic took hold around the world, she was told the words no one ever wants to hear, ‘You have cancer.’
Doris Dear conducted a fascinating interview with Grover and she talked about his career as a Broadway dancer, movie star, as well as a Tony winning Broadway director.
Even though we’re on a path to fully recover, some of the familiar dance landscape has changed. It can be a confusing time.
Maybe it’s a good day to remember we’re a community of creatives with a unique way to speak out on many important issues.
The film follows Amy’s journey from being run over by a NYC transit bus to her victorious recovery and message of hope. Here’s the story in Amy’s own words:
We love celebrating these amazing bookings with our members. Especially when it’s a long-time friend we’ve known from back-in-the-day as she was starting her dance career journey.
After a long delay, So You Think You Can Dance shared a casting call for interested dancers to complete an audition application. If you think you could be America’s Favorite Dancer, it’s time to submit your audition online for this month’s audition tour.
‘To be honest, I’ve been chasing Aladdin since before it made its debut on Broadway in 2014. I was just finishing up my contract with The WOW Show in Israel when I saw the Aladdin casting notice pop up. I just knew it was going to be the show for me! That particular notice was for a call in Chicago, so before I even left Israel,
“I knew in high school I wanted a dance career in Los Angeles, and that meant getting an O-1 visa for individuals with extraordinary ability in their field of work. It took me a few years to gather everything for my application. Since I was just starting out, I needed the experience that comes with time plus training, creating work relationships, working in the industry in Canada, and saving money.
Michelle West, currently in Broadway’s Tina: The Tina Turner Musical, is one of the most determined dancers we’ve ever met. Did you know at the start of her career she commuted from Delaware to NYC for auditions? She woke up at 3 a.m. to catch the 4 a.m. bus for the long trip to NYC. She’d arrive by 7:30 a.m., audition until 6 p.m., buy a bus ticket home, get back at 11 p.m., and go to bed at midnight. Then back up at 3 a.m. to start all over again …
When we learned that NaTonia Monet was cast in Tina: The Tina Turner Musical, we were ecstatic… Mostly because we’ve been there for so much of her journey. NaTonia picks up the story from here:
‘Thanks for allowing me to share my experience with other dancers. The Taylor Swift performance at the Billboard Awards was a direct booking!
Instead of retreating, she launched a podcast called Dance Tips Daily and already has over 7,000 streams/downloads. We asked Danielle Albertina how her podcast journey unfolded?
How did you navigate your big move?
The adjustment from east coast to west was a bit of a challenge. I approached the move the same way I’ve managed my career… From the start, I established daily routines
We caught up with Michelle for some details on how she booked the role of Swing in Tina: The Tina Turner Musical. Here’s what she shared with us!
You know when they say ‘the best things
Grover and Carol Lawrence (Maria in 1957 Broadway production) attended the premiere together at the El Capitan Theater on December 7th.
Answers4dancers kept a close eye on Grover’s Facebook
Yes indeed… there’s work out there for determined dancers. We contacted Kim to get all the details. It’s a great read!
How did you book the job?
In early, February 2020, I was learning production shows and receiving contracts for teaching and installing cruise ship casts with Norwegian Creative Studios. In late February,
